Salvador Domingo Felipe Jacinto Dalí i Domènech was born on May 11, 1904, at 8:45 am GMT in the town of Figueres, in the Empordàregion, close to the French border in Catalonia, Spain. Dalí’s older brother, also named Salvador (born October 12, 1901), had died ofgastroenteritis nine months earlier, on August 1, 1903. His father, Salvador Dalí i Cusí, was a middle-class lawyer and notary whose strict disciplinary approach was tempered by his wife, Felipa Domenech Ferrés, who encouraged her son’s artistic endeavors. When he was five, Dalí was taken to his brother’s grave and told by his parents that he was his brother’s reincarnation, a concept which he came to believe. Of his brother, Dalí said, “…[we] resembled each other like two drops of water, but we had different reflections.” He “was probably a first version of myself but conceived too much in the absolute.” Images of his long-dead brother would reappear embedded in his later works, including Portrait of My Dead Brother (1963).
Dalí also had a sister, Ana María, who was three years younger. In 1949, she published a book about her brother, Dalí As Seen By His Sister. His childhood friends included future FC Barcelona footballers Sagibarba and Josep Samitier. During holidays at the Catalan resort of Cadaqués, the trio played football together.
Dalí attended drawing school. In 1916, Dalí also discovered modern painting on a summer vacation trip to Cadaqués with the family ofRamon Pichot, a local artist who made regular trips to Paris. The next year, Dalí’s father organized an exhibition of his charcoal drawings in their family home. He had his first public exhibition at the Municipal Theater in Figueres in 1919.
In February 1921, Dalí’s mother died of breast cancer. Dalí was 16 years old; he later said his mother’s death “was the greatest blow I had experienced in my life. I worshipped her… I could not resign myself to the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul.” After her death, Dalí’s father married his deceased wife’s sister. Dalí did not resent this marriage, because he had a great love and respect for his aunt.
In 1982, King Juan Carlos bestowed on Dalí the title of Marqués de Dalí de Púbol (Marquis of Dalí de Púbol) in the nobility of Spain, hereby referring to Púbol, the place where he lived. The title was in first instance hereditary, but on request of Dalí changed for life only in 1983. To show his gratitude for this, Dalí later gave the king a drawing (Head of Europa, which would turn out to be Dalí’s final drawing) after the king visited him on his deathbed.
Gala died on June 10, 1982, at the age of 87. After Gala’s death, Dalí lost much of his will to live. He deliberately dehydrated himself, possibly as a suicide attempt, with claims stating he had tried to put himself into a state of suspended animation as he had read that somemicroorganisms could do. He moved from Figueres to the castle in Púbol, which he had bought for Gala and was the site of her death.
In 1984, a fire broke out in his bedroom under unclear circumstances. It was possibly a suicide attempt by Dalí, or possibly simple negligence by his staff. Dalí was rescued and returned to Figueres, where a group of his friends, patrons, and fellow artists saw to it that he was comfortable living in his Theater-Museum in his final years.
There have been allegations that Dalí was forced by his guardians to sign blank canvases that would later, even after his death, be used in forgeries and sold as originals. As a result, art dealers tend to be wary of late works attributed to Dalí.
In November 1988, Dalí entered the hospital with heart failure; a pacemaker had already been implanted previously. On December 5, 1988, he was visited by King Juan Carlos, who confessed that he had always been a serious devotee of Dalí.
On January 23, 1989, while his favorite record of Tristan and Isolde played, he died of heart failure at Figueres at the age of 84. He is buried in the crypt of his Teatro Museo in Figueres. The location is across the street from the church of Sant Pere, where he had his baptism, first communion, and funeral, and is three blocks from the house where he was born.
The Gala-Salvador Dalí Foundation currently serves as his official estate. The US copyright representative for the Gala-Salvador Dalí Foundation is the Artists Rights Society. In 2002, the Society made the news when they asked Google to remove a customized version of its logo put up to commemorate Dalí, alleging that portions of specific artworks under their protection had been used without permission. Google complied with the request, but denied that there was any copyright violation.
After his arrival in the United States, Dali engaged in heavy self-promotion. While many of his stunts were seen as antics by art critics, they were later interpreted asperformances.
His status as an extravagant artist was put to use in several publicity campaigns for Lanvin chocolates, ”If you got it, flaunt it!” for Braniff International Airlines (1968), and Iberia Airlines.